12/23/2023 0 Comments Clickrepair and denoise![]() Having done various mastering and remastering jobs in the recent years with historical recordings from the 50s/60s/70s/80s, some of them recorded live on abysmal 1/4" reel tapes 9.5 ips buried for decades in somene's filthy basement. I use spectral editing mainly for restoration of analog transfers. That looks interesting, but not necessarily what I'm looking for. Still got the LC, and it still works, as long as its PRAM battery is good Eventually in 1999 I got a used LC475 from one of my buddies in exchange for one of my old turntables. Done many of my design jobs in exchange for fixing the issues people were having with their Macs, as I was always pretty good at troubleshooting. Apart from the library where I was printing my layout text sheets on the LaserWriter, I was choosing my "bestest buddies" by the Macs they owned, haha. I was self-employed since 1988, working as a freelance designer and musician, completely broke all the time. Eventually someone installed PageMaker 3 on one of those, and I was hooked. So I found my way around the Mac by trial and error. ![]() I said no, and so I was advised to try the Mac first. The first time I came there I was asked if I already have some computer experience. … but that's exactly where I found myself in 1989 as well! The university library in Berne, Switzerland, used to have a few IBMs and three SE30 and a LaserWriter in the reading room, and you could register as a user even as a non-student. Mac SE30, Aldus PageMaker and an early Apple PostScript Printer But hat doesn't mean that bugs and issues shouldn't be documented, does it? ) So as far as RX8 Elements goes, I'm in it primarily for spectrogram editing and everything else is just the icing on the cake. So for just $29, it was a no-brainer, as it's going to replace the "antique" and ultimately obsolete Soundtrack Pro spectrogram editor that I got with the Logic Studio 9 suite. You can choose which version you want to demo, and so I was surprised that even the Elements can do that, albeit with a few minor limitations. At first I thought that the spectrogram editor is only in the Standard edition which is over my budget, but I downloaded the demo nonetheless. A fellow user then recommended to have a look at RX8. Amadeus already has an excellent spectrogram renderer – either from a file or directly from an audio stream – which is part of my audio workflow since over a decade. Neither had I, but a week ago I asked on the Amadeus Pro forum (a fine audio editor on its own) if they have any plans to add destructive spetrogram editing. My converter showed up as "Microphone (USB Audio CODEC)".I haven’t any first hand experience of RX8. It is the second drop-down menu in the controls and sports a microphone icon. Select your USB analog converter in the source menu.It is the first drop-down menu in the controls. The first thing you need to do in Audacity is ensure that when you open it up it's going to use the right hardware to record from and that the project rate matches what you selected in the steps above. In my case, it's set to 2-channel, 16-bit, 48000Hz. From the drop-down box make sure that 2-channel is selected at your preferred sample rate.On the recording tab, make sure your converter is selected as the default input.On your PC, open manage audio devices from the control panel.Connect the left and right phono leads from your turntable to your converter.Connect your analog to digital converter to the PC using the supplied USB cable.But if you have a turntable with a more standard phono output, you'll need to follow these steps: If you have a USB turntable, plugging it into your PC is easy: connect the USB cable to the matching ports on the turntable and your computer.
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